All Seeing Eyes is a band I’ve been keeping an eye on for a little while, with promises of their upcoming album and free tracks on show for last few months. It’s been promoted really well, and now here we are – Trinity Road. Featuring Ben Colton from Neverworld joined by Kenny Fraser and James Thackway, this is a mammoth of an album at 18 tracks of full on progressive metal!
The album is set up perfectly with The Enlightened Ones, a track with some nice guitar harmonies before slamming into a really cool power/prog riff. This twisting, turning track provides a great start to the proceedings, with some fantastic lead vocals and harmonies too. The songwriting on display right away is great, with lots of nice dynamics within the very first track alone!
For the audience:
Prog aficionados are going to want to hear this album. It’s not often enough the UK produces a band like this, with such a strong sense of songwriting and some fantastic musical moments. Tracks like Haunted give us emotive soundscapes with some powerfully written melodies and some great piano playing with a Fates Warning/Redemption sort of sound channelled through a British musician’s sense of melody.
There’s a lot on offer with this album, as you may well expect from an album as long as this (or so you’d hope, many fall flat way before their end!) From solemn sounding tracks that evolve later on into weighty metal titans later on such as The Cube (which features Crimson Glory’s Ben Jackson) to some straight up heavy metal in the form of tracks like Break The Chains which has an old school Queensryche feel to it but again offering that little something different in the form of All Seeing Eyes’ trademark melodic metal sounds. Hunted is also a cool little number, featuring ex Neuronspoiler members Dave Del Cid and Dave Shirman for a mighty flurry of riffage with some real energy and impact.
All Seeing Eyes manage to write progressive metal tracks without falling too much into the temptation of lengthy songs for the sake of lengthy songs (there is Demons which is a fantastic example of how lengthy songs really ought to be done!) and the song on this album are all pretty focusses with powerful choruses and great riffs throughout.
The album closes with The Aftermath and this track really delivers that necessary final blow in a nice dramatic fashion, with a great build up and lots of nice light and shade on display, as I have come to expect from a project prominently featuring Ben Colton now.
For the artist:
This is a really strong release, with some really solid production. The guitars sound really nice here, with some really great sounding solos and the vocals are produced fantastically throughout, both lead and backing. The guest performances featured have been equally mixed in really well and it all gels together so nicely! I would have liked a little more bass guitar in the mix but overall the mixing and mastering is totally solid to be honest.
My only slight issue is the programmed drums, but it’s not something that has a super negative effect on the album and the experience of it as a whole. It’s been done well enough that most listeners can’t really tell at all, and the drumming has been programmed really well, but nothing for me personally can beat what a human drummer can bring to a band’s sound. It’s really the only thing I can think of for this band to improve, I’d love to hear what they could do with a drummer powering the rhythm of the band, as good as the programmed beats already are!
Trinity Road is an astonishing debut album from All Seeing Eyes. The amount of work that has gone into this is crystal clear for all to see, with numerous really well done guest performances, songs that don’t drag the listener down into boredom territory even at its lengthy 108 minutes, which is a feat even for legendary artists to achieve! This is something to be proud of and something really worth checking out for fans of melodic progressive metal!
Trinity Road Is Released on December 1st
Check out All Seeing Eyes at https://www.facebook.com/ALLSEEINGEYESMETAL