Tag Archives: Band

Avenger – The Slaughter Never Stops

avenger front cover

Avenger, Newcastle’s NWOBHM legends return with a new album! Associated with such acts as Blitzkrieg, Atomkraft and Satan, you know you’re in for something special. Add to this the band’s own old school heavy metal legitimacy and you’ve got an album worth checking out!

The album opens up with the atmospheric sounds of Mace Imperial, which builds up with pianos and strings before slamming into the awesome riffage of Race Against Time which was a little more modern sounding than I was expecting. This is in a good way of course; the band combines some real old school sounding vocals with some great heavy riffs.

For the audience:

People who like proper old school metal should eat this up. It approaches the 80s sound in a modern way, similar to Hell’s approach with heavy riffs meeting passionate and dramatic vocals.

There’s plenty to listen to here, and in just 46 minutes the band delivers an album full of great tracks. Fields Of The Burnt has a really awesome classic sounding riff that should make this one a real hit live, with some great guitar work and a super solid rhythm section! In Arcadia Go is another real powerful number, with some awesome hooks and some really well done vocals here! They’ve also chucked in a cover of the classic Maiden number Killers, which is a straight up cover performed really well, with special mention towards the vocals again which have a nice blend of both Di’Anno and Dickinson, with some nice souped up chunky guitars too.

The band also delivers a nice long track at 7 minutes long with Flayer Psychosis and it’s full of energy right from the get go, keeping at it throughout with hefty riffage and some great vocal moments meeting cool basslines and vocals!

The album ends on Midnight Mass Destruction which has another classic sounding riff given a modern makeover here, with a nice heavy sound on display. This ends the album nicely as one of the heavier tracks, but also has a nice clean bridge section that builds up nicely.

avenger photo black and white

For the artist:

This is a really solid album, with some great moments and some really good songwriting. The production is pretty good but feels a little dry in places. It’s not really a big problem and the music takes precedence here!

Overall this some really good stuff, here’s hoping the band keeps it up and delivers us plenty of live shows and new material!

The Slaughter Never Stops Is Released on 1st December via Rocksector Records

Check out Avenger at https://www.facebook.com/avengeruk1

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Sorrows Path – Doom Philosophy

SORROWS PATH cover

Greek doom metallers Sorrows Path is a band I’ve kept track of for a little while, so being sent their new album for review is pretty cool. Over their long career the band has endured through tough times (even death) and with Doom Philosophy their third album, the band really shows what they are made of.

First Beam Of Darkness Into Light is an introductory short track, building up tension into the first track Tragedy. What’s interesting about this track is its energy. It’s not just crushingly slow as you’d often get with more run-of-the-mill Doom metal. In fact it has a slight European power metal edge, especially in the vocals and the more up-tempo riffs. This song has a killer chorus and is a great start to the album, and it also features Edgar Rivera (ex-Solitude Aeturnus.) A Dance With The Dead is a bit more traditional, with doom laden riffs and a kind of “creep” atmosphere at time.

“Brother of Life” is another doomier track, with some interesting keyboard stuff and a powerful chorus; this one feels like it has quite a bit of emotion put into it as well. “Everything Can Change” features the legendary Snowy Shaw on vocals, and it’s a nice performance he has put in here, this track has plenty of doomy overtones and heavy riffs as well, the band supporting the vocals well yet also showing their own flair for metal too.

The King With A Crown Of Thorns begins as a sort of metal ballad, with some awesome clean guitar work and melodic soloing. The vocals feel nice and heartfelt here, and the rhythm section takes a backseat well, before the band smashes into heavier moments later on with the chorus and solo. This is a great dynamic track, and was one of my highlights. “The Venus And The Moon” is a speedier track with plenty of double bass and snaky riffs. This is a nice heavy one with a bit more energy and chunkiness, with some great vocal layering in the chorus.

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“Epoasis” feels in places, especially in the vocals, like some classic Black Sabbath but with more modern instrumentation, and a bit more focus in the songwriting, with much more modern sounds and some bits with more of the band’s own style. “Clouds Inside me” has a great sounding clean guitar to start things off with a kind of 80s vibe, and when the song gets heavier there are some cool melodies and some awesome vocal lines too.

“Darkness” is another of the heavier tracks on the album, with some really hard hitting riffs and a spoken word acted section that is somewhat entertaining in the way it plays out, before some awesome solos and some great metal riffs.

The album closes on “Damned (O)fish/L.S.D.” and this one’s actually mostly instrumental until right at the end, with some interesting progressive sounding guitar playing, and some clean moments that border a little on Opeth style stuff. This is definitely a different way to end the album, certainly unexpected and showcases the foundations of the band quite well.

The band chose to work again with Vangelis Yalamas (who has sound engineered Fates Warning live shows among other work) at Fragile Studios. The production is pretty good, you can hear everything that is going on, and it all gels together quite well! The drums and guitars shine out in particular, and there are some great moments with the vocals too.

Doom Philosophy is definitely an interesting album. The band showcases their talents and passion for songwriting well, with lot of dynamic songs yet in keeping with their core sound. This one will serve to strengthen their back catalog and hopefully see them to bigger things

Check out Sorrows Path at https://www.facebook.com/SorrowsPath

 

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UnKured – As Reality Melts

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Death Metal and Thrash metal have often gone hand in hand over the years, often with mixed results, and Ohio’s UnKured nails the style really well with their 2013 EP “As Reality Melts” as a precursor to their album “Mutated Earth”

Opening up with “Before Us Heaven Trembles”, I was instantly reminded of the band Death, especially in the vocals, but with a bit more focus on the songwriting, and more thrash leanings too. The song has lots of sinister sounding guitars, and some nice chaotic sounding solos later on too, a little similar to 80s Slayer but more Hanneman than King.

“Dark Dominion” follows that up with a bit more of a midtempo track in places but one that is no less heavy sounding. There’s lots going on in this one, plenty of riffs and some very angry sounding vocals. There’s a really old school progressive thrash sounding riff midway through the song before the solo that I really quite liked, and some mad basslines later on too! “Taking The Abyss” carries on with the super heavy style the band has gone for, with lots of bludgeoning guitar riffs and some jazzy sounding sections later on too.

The EP closes with title track ‘As Reality Melts’ presents a kind of apocalyptic atmosphere, with lots of dissonant riffs and a really furiously delivered vocal, with plenty of different moments ending the EP on a very heavy note.

The production overall is fine for an EP, it’s quite raw sounding yet tight at the same time, the drums sound quite good overall and the bass is nice and audible which is always a plus for me as a bass player myself. The guitars gel well with the mix and don’t sound too muddy really. The vocals are really produced quite well, sounding very old school which benefits the bands overall sound really.

UnKured surprised me with their technical skills and a great sense of style that you don’t normally get right off the bat with a debut EP. This is definitely one to check out if you like Death and Thrash, their album will be one to look forward to!

Check Out UnKured at https://www.facebook.com/pages/UnKured-Band/127769993918598 and http://unkured2.bandcamp.com/

“As Reality Melts” is out now!

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Silent Jack – Snakebite

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It’s always nice to hear a bit of proper hard rock, and Birmingham’s Silent Jack delivers just that with their EP snakebite. With plenty of work ahead of them, this is an EP that should see them through it on their way to recording a full studio album and playing plenty of awesome shows.

Opening up with “Brand New Start” we’re introduced to an awesome riff full of bite. The drums crash in and bring us into the feel of the main riff, with an awesome lead guitar line too. The vocals are awesome, with an old school feel to them and a nice sense of melody; a little like Axl Rose with a bit more focus. Some awesome solos top it all off to start the EP off in style.

“King Cobra” starts off with a nice kick drum setting the tempo before the main riff kicks in. There are lots of nice riffs involved here, some more cool vocals too, all contributing to a great grooving sound overall. “Going Down” follows this up by slamming straight into a nice sounding guitar riff, before the band crashes in lending the riff plenty of strength for the upcoming introductory guitar solo. This is yet another really cool song, nice riffage and a nice upbeat feel.

“Love Factory” Is easily the longest song on the album but for good reason, there’s plenty of awesome soloing and jamming to enjoy here, with an awesome bass groove midway through too. A nice chorus and in general good songwriting keep this one nice and interesting. “Angels Cry” is an acoustic ballad kind of track, with a nice vibe to it, and the song picks up and gets a bit more rocking later, with some nice guitar solos and a great chorus.

“Made In Heaven” is an awesome track that borders on some old school heavy metal riffs, with some more awesome vocals and a nice pounding rhythm section throughout, making this a great solid track, with another cool chorus involved too!

The EP closes with “Hot Luvin’” which is a nice rocking track that brings the EP to a close in style; plenty of style, heavy riffs and a catchy chorus with a lot of 80s influence.

The production is pretty cool, especially for an EP, a nice shiny drum sound and the vocals have been produced really nicely too. The guitars gel really well with the bass and drums to make a nice overall sound too.

Overall this is a pretty awesome hard rock EP full of great riffs and some cool musicianship. Snakebite is a band that will go somewhere if they stick at it! Hearing a full album would be the ieal next step!

Check Out Silent Jack at https://www.facebook.com/silentjackband

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